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As modernity began to rapidly change and influence European culture, many nineteenth and twentieth-century writers and intellectuals struggled to identify themselves with this modern paradoxical context. As a result, the modern stranger was conjured up out of the uncanny depths of secularized modernity. Although a subject whose makeup is continually shifting, the modern stranger still exists as a strong allegory for secularized modernity, particularly because of its unsolidified and liminal characteristics and reflects not only uncanny otherness but likewise the horrors and anxiety of realizing the potential imperfections and weaknesses of the individual, society, and their utopian imaginings.
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